We are thrilled to be part of the sponsors of Uppsala Guitar Festival, and present to you the following program.
Join the lineup of previous winners of the annual .strandberg* competition such as Jose Macario, Poh Hock and Adam Rafowitz.
One important thing to point out is that no pickup is objectively better than the other. The build quality may be somewhat objective in nature, but the tone, performance and what this does for your playing experience is completely up to you and no one else.
This sixth installment of our How-to series is the first in a sub series of articles where we take a closer look at the electronics found inside .strandberg* guitars and get acquainted with the electrified side of things.
Strandberg Spark is a creative community where anyone can join and participate in creative content challenges. Prizes were given away to the best content creators based on originality and creativity. Since the beginning of the group two years ago, we’ve seen incredible engagement, creativity and community develop out of Spark. As a result, Strandberg has […]
In this fifth installment of our How to series we aim to ease the difficult task of choosing the right .strandberg* guitar. Let’s begin by thanking you for your interest in our products, which is likely the reason that you’re reading this article. While the reasons for acquiring a .strandberg* may be unique to every […]
Sarah Longfield epitomizes the modern young artist who embraces the new ideas of the present and balances them with the traditions of the past to forge a bold new future. Open-minded and eclectic, Sarah’s sound and style is a convergence of many disparate genres ranging from aggressive metal and technically demanding fusion to trance-like electronic […]
In this fourth installment of our How To series we take a closer look at the EGS series 5 tremolo bridge. As an integral part of the .strandberg* design, our tremolo bridge will give the player vast possibilities of expression and even more so if you know how it works. We begin by explaining how […]
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